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Progressive rock, sometimes shortened to prog rock or prog, is a form of rock music that evolved in the late 1960s and early 1970s, principally from psychedelic rock, and ultimately as a result of experimentation with electronic keyboard instruments, jazz-rock fusion, blues, and mainly classical music.

Progressive rock compositions are more elaborate than the standard rock or popular verse-chorus based song structures. As well, the arrangements often incorporate elements drawn from classical, jazz, world music, avant-garde music, hard rock, and heavy metal. Songs with lyrics, are often conceptual, philosophical, or based in fantasy.

Progressive rock reached the peak of its popularity in the 1970s and has continued as a form of popular music to this day. The term was applied to the music of bands such as King Crimson, Yes, Pink Floyd and Emerson, Lake and Palmer (ELP). Other notable progressive rock bands include Jethro Tull, Genesis, Gentle Giant, The Nice, Kansas, and Rush.


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Characteristics
Musical characteristics

Progressive rock is carefully composed, yet it usually has a spontaneous and improvised feeling, which means that it lends itself as much to intellectual analysis as it does to emotional enjoyment. The typical characteristics are found in the elements below:
King Crimson's In the Court of the Crimson King is an early progressive rock work, which contained many of the elements that would mark the genre in the years to come.
King Crimson's In the Court of the Crimson King is an early progressive rock work, which contained many of the elements that would mark the genre in the years to come.

    * Form: Progressive rock songs either avoid common popular music song structures of verse-chorus-bridge, or blur the formal distinctions by extending sections or inserting musical interludes. Contrasts are often be made between these sections in terms of dynamics, such that soft passages would build to louder passages and so on. This approach is common in rock music, but more pronounced in the more theatrical progressive rock groups. As the genre developed, the quantity of these sections increased, as some progressive rock acts continued their allusions towards classical music and composed entire suites, building on the traditional medleys of earlier rock bands. Another common structural feature lies in extended instrumental passages that are reminiscent of classical music, but less frequent in rock and popular music. This can often lead to pieces in excess of 20 minutes.

    * Timbre (instrumentation and dynamic): Early progressive rock groups added additional instrumentation to the typical rock group lineup of a guitarist, bassist and drummer, often adding keyboards or synthesisers. These and other instruments, particularly those common to classical and jazz music, such as the flute, saxophone or violin, are frequently used as part of the overall texture of the group's musical output. Some progressive rock acts also incorporated orchestras and choirs (although this is not exclusively a feature of progressive rock, as it is a feature of 1940s swing, Motown and other orchestra-backed popular music). Dynamically, progressive rock acts often tend toward the extremes.

    * Rhythm: Use of time signatures and rhythms that are rarely used in rock music. Progressive rock music is designed mainly for listening, rather than for dancing, which meant that prog rock bands are able to use unusual, changing time signatures and even layering polyrhythms. Repetitive riffs are used much less than in hard rock.

    * Harmony: While some progressive rock songs adhere to the I - IV - V chord progressions of early rock, this usually avoided in favour of less predictable progressions. A simple triad is frequently extended with 6ths, 7ths, and 9ths, as in jazz harmony. Some pieces of progressive rock even explore atonal or dissonant harmonies. Some progressive rock bands use classical harmonic progressions to allude to classical music. A few bands even include rudimentary serialism in their music. The harmony of progressive rock, like jazz, is often linked with the use of modes in the melodies.

    * Melody: While the major and minor modes are still prevalent even in progressive rock, the blues-associated pentatonic scale is rarely emphasized. In progressive rock, melodies tend to be long and often meandering, especially in instrumental solo passages, often with little or no clear indication of cadence. Unpredictability of the musical direction is a core characteristic for progressive music.


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Other characteristics

Progressive rock bands often use concept albums, in which a theme or storyline is explored throughout an entire album or series of albums, sometimes in a manner similar to a film or a play. These are often called "rock operas". In the days of vinyl, concept albums extended to two or even three record sets with striking gatefold sleeves. Notable examples include The Lamb Lies Down on Broadway by Genesis and Pink Floyd's The Wall (which was followed by an elaborate live show and a film of the same name).[1]
Sgt. Pepper's Lonely Hearts Club Band helped to start the trend of elaborate album art.
Sgt. Pepper's Lonely Hearts Club Band helped to start the trend of elaborate album art.

Progressive rock often uses poetic, conceptually-themed or fantasy-based lyrics. The music's melodies, harmonies, rhythms and dynamics are often used to underscore the emotional message of the lyrics have. Some progressive rock songs use leitmotifs, which are melodic phrases that are associated with a symbolic meaning or a specific character from the lyrics (e.g., in Genesis' "Harold the Barrel".

Progressive rock bands sometimes aesthetically link the music with visual art elements such as album art. This trend started with The Beatles' Sgt. Pepper's Lonely Hearts Club Band and it was embraced during the heyday of progressive rock. Some bands became as well-known for the art direction of their albums as for their sound, with the "look" integrated into the band's overall musical identity. This led to fame for particular artists and design studios, most notably Roger Dean for his work with Yes and Storm Thorgerson and his studio Hipgnosis for their work with Pink Floyd. H.R. Giger painted an album cover for Emerson, Lake and Palmer's Brain Salad Surgery. Paul Whitehead produced evocative gatefold album covers and sleeves for Genesis and Van der Graaf Generator. Hugh Syme is well known for his creatively painted covers for Rush that often incorporate hidden references to other albums or puns on the album's theme.

Technology advancement was always a prime element in progressive rock, especially in electronics. In keyboards, the Mellotron was generally a signature sound in many progressive acts like The Moody Blues, King Crimson or Genesis, among others. Later, synthesisers would develope more into the fold with artists like Emerson, Lake and Palmer, Yes, Premiata Forneria Marconi and so forth. ELP drummer Carl Palmer utilised electronics to "synthesise" his drums. Some of these early displays have been considered as pre-cursors to the Techno genre. In the late 1970s, King Crimson's Robert Fripp along with Brian Eno developed his own patented version of electronic gadgetry called Frippertronics using analog tape loops which he still uses today in a digital format.

[edit] Stage theatrics

Progressive rock artists were known for their elaborate and sometimes flamboyant stage theatrics in concert going back to the early 1970s. Genesis lead singer Peter Gabriel would more or less act as a quick-change artist wearing many different colourful and exotic costumes in one show. Yes would incorporate futuristic stage sets designed by album cover artist Roger Dean, including massive spaceship props and complex lighting, and were thus influential to all of the rock world in adding a strong visual art aspect to live concerts. Rick Wakeman would have knights riding on horses. In the 1980s, Marillion's former lead singer Fish would often wear a jester costume inspired by the band's first album Script for a Jester's Tear. One of Emerson, Lake and Palmer's many stage antics was Emerson's "flying piano" at the famous California Jam concert. This consisted of a Steinway grand piano elevated to spin end-over-end while Emerson is strapped to a seat. Throughout Pink Floyd's run in the 1970s, they would use many stage effects including crashing airplanes, a giant floating pig, massive projection screens and in 1980, an enormous mock brick wall for The Wall performances. Rush frequently incorporated lasers into their stage show.


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History

[edit] Precursors

In the late 1800s, the French composer Claude Debussy began using whole tone scales and modes now commonly associated with jazz, to break away from conventional diatonic harmony. In the 1910s, the Russian composer Igor Stravinsky used innovative rhythms, lush, unique timbres, dissonances, and Russian folk (pagan) motifs in his ballet Rite of Spring. In the early 1920s, German composer Arnold Schoenberg developed a new method of composition known as Serialism, which led to the evolution of avante-garde music.

In the 1930s, French composer Olivier Messiaen used the newly invented electronic instrument, the Ondes Martenot in compositions. In the 1940s, the composers Pierre Schaeffer and Pierre Henry began using the early tape recorder in the creation of compositions that would become known as musique concrete. Soon after, Karlheinz Stockhausen and others began to compose music entirely by electronic instruments. In the early to mid 1950s, "Cool Jazz "or" Modal Jazz" came about through the work of jazz maestros such as Miles Davis and later, John Coltrane. By the 1960s, Avant-Garde or Free Jazz was firmly established as due to recordings by Ornette Coleman and Charles Mingus.

The experimental period of rock music began in the mid 1960s with the studio work of The Beatles, who by then had given up touring. The influences of Stockhausen are apparent in the 1966 recordings "Rain", "She Said, She Said", and the tape experiment from the Revolver album, "Tomorrow Never Knows". The Beatles used these techniques extensively on Magical Mystery Tour and "Sergeant Pepper's Lonely Hearts Club Band". Sergeant Pepper is widely acknowledged as the first album to use the recording studio, and the artistic possibilities it affords, as an "instrument".

In the late 1960s, Beatles songs and albums began incorporating many psychedelic rock elements and they also began combining instruments from classical music, Eastern music and improvisatory music. Pink Floyd's earliest albums showed progressive elements. The Yardbirds' Jeff Beck and Jimmy Page composed Beck's Bolero in 1966 which reworks Maurice Ravel's Boléro. The band 1-2-3 (later named Clouds) experimented with song structures, improvisation and multi-layered arrangements. Psychedelic rockers continued this experimental trend and began to compose long, complex songs such as Iron Butterfly's "In-A-Gadda-Da-Vida" or "1983...(A Merman Should I Turn to Be)" by Jimi Hendrix. Frank Zappa's early work is also considered progressive.

The Who created concept albums and long-form live song performances in the mid- to late-1960s (although those were often in the more blues-based improvisational style also favoured by contemporaries Cream and Led Zeppelin). Bands such as The Nice, Procol Harum and the The Moody Blues began combining rock music with classical music, producing longer pieces that were composed and not jam-based. Procol Harum's 17-minute suite "In Held Twas In I," recorded in 1967, was a long composition that is one of the early progressive rock "epics".

German electronic music and Krautrock pioneers Tangerine Dream introduced a variety of synthesisers, tape effects and other unusual sounds in their compositions, usually in purely instrumental albums. Many other bands began to experiment with blends of rock and jazz, a style that became known as jazz-rock. In the UK, Soft Machine was a prominent early jazz-rock band.


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Early bands

Early progressive rock bands included King Crimson (1969), Yes (1968), Genesis (1967), Pink Floyd (1965), Emerson, Lake & Palmer (1970), Jethro Tull (1967) and Gentle Giant (1970). Progressive rock developed when bands started to incorporate more complex and reflective themes. Genesis labelmates Van der Graaf Generator sometimes took an existentialist approach. Progressive rock was also popular in continental Europe (Italy, France, Germany, and Switzerland) as well as in some parts of Latin America (Chile, Argentina and Brazil). Many European progressive rock bands blossomed there, such as Area, the aforementioned Banco del Mutuo Soccorso, Flame Dream from Switzerland, Le Orme from Italy and Magma from France, among many.

Germany had a significant progressive rock movement, including bands such as Triumvirat. The Italian progressive rock style is sometimes considered as a separate genre. Italian groups include Goblin, PFM, Museo Rosenbach, Il Balletto di Bronzo, and Semiramis. In Brazil, Os Mutantes combined elements of traditional Brazilian music, psychedelic rock and experimental sounds to create intricate and unorthodox arrangements, with imagery and lyrics inspired by fantasy, literature and history.

A strong element of avant-garde and counter-culture has long been associated with a great deal of progressive rock. In the 1970s, Chris Cutler of Henry Cow helped to form a loose collective of artists referred to as Rock in Opposition or RIO, to make a statement against the music industry. The original members included Henry Cow, Samla Mammas Manna, Univers Zero and later Art Zoyd, Art Bears and Aqsak Maboul. The Rock in Opposition movement was short-lived, but the artists included some of the originators of Avant-progressive rock, which used dark melodies, angular progressions, dissonance, free-form playing and a disregard for conventional structure.


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Ascending popularity
Pink Floyd, an English rock band that earned recognition for their psychedelic rock music, and, as they evolved, for their avant-garde progressive rock music. This image is a candidate for speedy deletion. It will be deleted after Monday, 30 July 2007.
Pink Floyd, an English rock band that earned recognition for their psychedelic rock music, and, as they evolved, for their avant-garde progressive rock music.
This image is a candidate for speedy deletion. It will be deleted after Monday, 30 July 2007.

Fans and music historians have a variety of ways to categorise the flavours of 1970s progressive rock. The Canterbury scene can be considered a sub-genre of progressive rock, more oriented towards jazz rock, or simply another collection of true progressive rock bands. Other bands took the genre in a more commercial direction. These bands, including Renaissance, The Alan Parsons Project, Queen and Electric Light Orchestra, are sometimes classified as "progressive rock", "commercial rock", or "symphonic pop." Over time, Led Zeppelin and Supertramp, among others, also incorporated more unusual instrumental elements, odd time signatures and long compositions into their work. In a similar "prog pop" vein was Manfred Mann's Earth Band, which featured virtuoso Minimoog solos by Mann. The group was regarded as a first-rate prog rock act[citation needed], considering Manfred Mann's more well-known 1960's pop heritage.

During the early to mid-1970s, jazz fusion artists (spawned by Miles Davis) like Mahavishnu Orchestra, Weather Report and Return to Forever were becoming more prominent but were more confined to the jazz community than progressive rock. However, many of the popular progressive artists started to incorporate this trend even further than before. Yes brought in Swiss keyboardist Patrick Moraz for their Relayer album giving a more jazzy sound most notably on the track "Sound Chaser". Genesis drummer Phil Collins formed a group called Brand X and former Yes/King Crimson drummer Bill Bruford formed his own band Bruford each with a more jazz/fusion edge.

Progressive rock's popularity peaked in the mid-1970s, when prog artists regularly topped readers' votes in mainstream popular music magazines in England and America. By this time, several North American progressive rock bands had been formed. Kansas, which had actually existed in one form or another since 1971, became one of the most commercially successful of all progressive rock bands. Pop star Todd Rundgren cashed in on the progressive movement with his new band Utopia. Toronto's Rush became a major band, with a string of hit albums extending from the mid-1970s to the present. Less commercially successful were the Dixie Dregs, from Georgia (arguably more of a fusion band) and Happy The Man, a Washington D.C. based act.

During 1974, progressive rock's four biggest artists, Yes, Emerson Lake and Palmer, Genesis and King Crimson all went on indefinite hiatus or experienced personnel changes. Yes and ELP members went on to pursue solo work as well as Genesis lead singer Peter Gabriel (however Genesis would continue with Phil Collins as lead vocalist) and Robert Fripp announced the end of King Crimson after the release of their Red album. In 1977, Yes and ELP reformed with some success but unable to capture the dominance they previously had.
Yes performing in Indianapolis in 1977.
Yes performing in Indianapolis in 1977.

With the advent of punk rock in the late 1970s, critical opinion in England moved toward a simpler and more aggressive style of rock, with progressive bands increasingly dismissed as pretentious and overblown, ending progressive rock's reign as one of the leading styles in rock.[2][3] This development is often seen as part of wider commercial turn in popular music in second half of the 1970s during which many funk or soul bands switched to disco and smooth jazz gained popularity over jazz fusion.

However, established progressive bands still had a large following, with Rush, Genesis, Yes and Pink Floyd all regularly scoring Top Ten albums with massive accompanying tours, for some of these bands, their largest yet. By 1979, by which time it is generally agreed that punk had mutated into New Wave, Pink Floyd released The Wall, one of the best selling albums in history. Many bands which emerged in the aftermath of punk, such as Siouxsie and The Banshees, Cabaret Voltaire, Ultravox, Simple Mi


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1980s revival

    Main article: Neo-progressive rock

The early 1980s saw something of a revival of the genre, led by artists such as Marillion, IQ, Pendragon, Galahad, Pallas and Saga. Groups that arose during this time are sometimes termed neo-progressive or neo-prog (also referred to as the New Wave of British Prog Rock). Bands of this style were influenced by 70s progressive rock groups like Genesis, Yes and Camel, but incorporated some elements that were reflective of the New Wave and other rock elements found in the 80s. The digital synthesiser became a prominent instrument in the style. Neo-prog continued to remain viable into the 90s and beyond with bands like Arena, Jadis, Collage and Iluvatar. Their sound was generally similar in style and sound to neo-prog pioneers like Marillion and IQ, which differentiated them from the emerging Third Wave movement in the 1990s.

Some progressive rock stalwarts changed musical direction, simplifying their music and making it more commercially viable. In 1981, King Crimson made a surprise comeback with a different lineup (with only Robert Fripp and Bill Bruford as returning veterans from the previous incarnation) incorporating a more techno-rhythmic sound with a slight New Wave slant. In 1982, the much anticipated supergroup Asia, composed of Steve Howe (Yes), Carl Palmer (ELP), John Wetton (King Crimson) and Geoff Downes (Buggles/Yes), surprised progressive rock fans with their pop-oriented debut album. The Top 5 single "Heat of the Moment" rotated heavily on MTV for years, while the first Asia album established a sales record for 1982. This demonstrated a market for more commercialised British progressive rock – a style very similar to that played by North American Top 40 stalwarts such as Styx, Foreigner, Boston and Journey.

Other British bands followed Asia's lucrative example. In 1983, Genesis achieved some international success with "Mama", a song with heavy emphasis on a drum machine riff, signaling the band's change to a very commercial direction during the 1980s. Also in 1983, Yes had a surprise comeback with 90125, featuring their only number one (US) single, "Owner of a Lonely Heart". Written by guitarist Trevor Rabin prior to joining the group, "Owner" was accessible enough to be played at discos and more recently has been remixed into a trance single. Often sampled by hip-hop artists, "Owner" also incorporated contemporary electronic effects, courtesy of producer (and former member) Trevor Horn. Likewise, Pink Floyd's A Momentary Lapse of Reason in 1987 was a departure from their traditional extended play concept albums, featuring much shorter songs and an altogether more electronic sound.

[edit] 1990s and 2000s

    Main article: Progressive metal
    Main article: New Prog

Dream Theater in 1995
Dream Theater in 1995

The progressive rock genre enjoyed another revival in the 1990s. A notable kickoff to this revival were a trio of Swedish bands: Änglagĺrd, Anekdoten and Landberk, who hit the scene in 1992-1993. Later came the so-called "Third Wave", spearheaded by such bands as Sweden's The Flower Kings, the UK's Porcupine Tree, Italy's Finisterre, Russia's Little Tragedies, and, from the United States, Spock's Beard, Echolyn, Proto-Kaw (a reincarnation of Kansas), and Glass Hammer. Arjen Anthony Lucassen, with the backing of an array of talent from the progressive rock genre, produced a series of innovative concept albums (Ayreon) starting from 1995.

In recent years, one of the more commercially viable categories of prog has been progressive metal, which mixes some of the common elements associated with progressive rock (lengthy compositions, concept albums, odd time signatures, extended instrumentals, virtuosity, jazz fusion influences) with the power and attitude associated with metal. Prog metal often gives a prominent role to keyboard instruments, in addition to using shred-style electric guitar solos, such as Planet X and Mr. Big.

The former band also cites fusion as a heavy influence. Several of the leading bands in the prog-metal genre — Dream Theater (U.S.), Ayreon (Netherlands), Opeth (Sweden), Fates Warning (U.S.) and Queensr˙che (U.S.) — cite pioneer progressive hard-rockers Rush as a primary influence, although their music exhibits influences from more traditional metal bands such as Black Sabbath or Deep Purple as well. Tool have cited pioneers King Crimson as an influence on their work.[5] King Crimson opened for Tool on their 2001 tour and expressed admiration for the group while continuing to deny the "prog" label.[6] Led by bands such as Muse, another style which gained popularity in the 1990s is New Prog, a mixture of alternative rock and progressive rock.


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Festivals

Renewed interest in progressive rock in the 1990s eventually led to the beginnings of musical events and festivals that centered around progressive rock acts. The first ProgFest was held on May 29, 1993, in UCLA's Royce Hall and featured Sweden's Änglagĺrd, England's IQ, Quill and Citadel. Interest in the festival was large enough for others in the U.S.A. to start similar events. ProgDay, held at Storybook Farm near Chapel Hill, North Carolina, first emerged during Labor Day weekend in 1995 and is planning its 13th festival September 1-2 2007[7]

The most successful of these festivals to date is NEARfest[citation needed], which held its first event on June 26th & 27th, 1999 in Bethlehem, PA to approximately 400 fans. With a diverse lineup and an ability to get big name talent, the festival eventually grew in popularity to fill a 1,000 seat venue and later relocated to Trenton, NJ in 2002 to a venue which seated over 1,850. The festival relocated back to Bethlehem, PA in 2004 and is still active.

Other current festivals of note include Rosfest in Phoenixville, PA, Baja Prog in Mexicali, Mexico, CalProg in Whittier, CA, Prog In The Park in Rochester, NY, Gouveia Art Rock in Portugal, Prog Sud in Marseille (France), Tiana in Barcelona (Spain), Progfarm in Holland, Rio Art Rock Festival in Rio de Janeiro, Brazil and ProgPower USA in Atlanta, Georgia.

An international progressive rock festival called InProg takes place in Moscow, Russia, every year since 2002. Most of the performers in this festival are progressive rock artists from Russia, but artists from other countries perform too.


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pus acum 17 ani
   
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super info!!!danke!:*:*:*

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LA VARA NE MUTAM PE :
CEA MAI PROBABILA DATA E 1 IUNIE.FITI PE FAZA SI TRANSFERATI-VA TOPIC-URILE,FICURILE SI FOTOGRAFIILE PE VIITOAREA BAZA!
SA FIM IN TON CU TH SI SA DAM UN "RESET" FORUMULUI. BE WITH US! WE ARE WAITING FOR YOU.




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npc o sa mai pon da nu aq

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valentina_th
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k asteptam.........in romana

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tokio hotel 4ever!!!
Punk-Rock 4ever!!



pus acum 17 ani
   
Ancient
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voi nu face topicuri si cu trupe...ioi :-|

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iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

Cu cat ai mai multe i-uri,cu atat esti mai inteligent



pus acum 17 ani
   
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poi..nu aici..ci la trupe...
mai sus<la zona fanilor>e categoria...


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LA VARA NE MUTAM PE :
CEA MAI PROBABILA DATA E 1 IUNIE.FITI PE FAZA SI TRANSFERATI-VA TOPIC-URILE,FICURILE SI FOTOGRAFIILE PE VIITOAREA BAZA!
SA FIM IN TON CU TH SI SA DAM UN "RESET" FORUMULUI. BE WITH US! WE ARE WAITING FOR YOU.




pus acum 17 ani
   
Ancient
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da???Si vrei sa spui ca eu am facut topice ca proasta? :-O

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iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii
iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii

Cu cat ai mai multe i-uri,cu atat esti mai inteligent



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valentina_th
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tokio hotel 4ever!!!
Punk-Rock 4ever!!



pus acum 17 ani
   
˛¦O canutsa cu lapte¦א●•
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=....

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pus acum 17 ani
   
mar!a oltean
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lool

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nu plange ca sa terminat.........zambeste ca sa intamplat

O lume unde soarele apare doar daca il desenezi pe perete,
Aceea e lumea ta.
O lume unde am calcat stramb
Atunci cand  te-am privit cu alti ochii,
Desi te stiam de mult,
Doar ca eu atunci......
Chiar nu pot sa explic
Ce sentiment am avut

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